In three days in New York I have...
...applied for about 30 restaurant jobs.
Labels: New Yahwk New Yahwk
Almost there. Just a few thousand miles and a few million dollars to go.
...applied for about 30 restaurant jobs.
Labels: New Yahwk New Yahwk
In 36 hours I leave for New York City. Hopefully the move is permanent, and barring catastrophe, it will be.
Labels: ah the emotional rollercoaster, baby steps
There's a Banana Republic in the IDS building in downtown Minneapolis. I've often strolled inside and looked around when I'm on my lunch break. I would say that 9 out of the 10 times I've been in there, no one has spoken to me. I was dressed for work, which means no jeans or corduroy or sneakers, or t-shirts; you know, I was in work wear. The employees don't say, "hi," they don't smile, they don't even look at me.
Labels: classism is alive and kicking
Good Auditions make you feel special.
Labels: ah the emotional rollercoaster, the biz
I want to go to Japan with the JET Program. I really would like to go next fall and this seems like a supportive program with a great history.
Labels: postponed dreams, sad
I support the Writers Guild strike. What happens to them could have an impact on my future in the coming year, and I'd like the outcome to be favorable.
Labels: moooovies, stupid teevee, the biz
I worry sometimes that my grey (I will NOT spell it with an 'a', I don't care that I'm not English nor am I in England, "gray" is so unromantic) hair ages me as an actor. Sometimes I'm ok with the notion that it might, other times I fret (see: a few entries back).
Labels: my hair rocks, narcissism
Rob and Elliot has gotten more random and, subsequently, more funny, since I started reading it several years ago. Love.
Labels: teh wackiness, webcomics are grand
I finally got to travel with Pillsbury House Theater's Breaking Ice troupe. We went to Denver for a diversity conference with the City and County of Denver employees. The journey from rehearsal to show was rocky. We had the show down fairly well, and were then thrown for a loop when we had to work with half-functioning lapel mics, and two of our cast members had to trade off a hand held mic. (They showed great flexibility in taking that on as Breaking Ice is movement oriented, and suddenly having to have one hand tied to a microphone can be a daunting task.)